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Past, we know not. Cherry blossom, never did I endure. Spectral rays emanate from the eternal owl, know not I, mine cocoon. Forever lost in the moonlit shallow, an apple rotten at heart. Sunken I am in the shifting sands, returning home nevermore. Wintery dawn and the whimpering tree line, both drenched in the oblivious green. From inside the moonlit cottage, hear I my mother’s calls. Calls, my torn yesteryears still search for. Run I towards her, my face lingering in the vicinity. Voices I do hear, clouding the tears I shed. Oh, I know not why I am blind. Blind, to the oasis in my vicinity, a cloak over my futility. Days, they never did caress my aching self, lost in a patch of puerile limping. Know I this photograph of old, vanish soon into the grayscale. My mother, I would part ways with, for chained we are to the eternal gale. Forget I never, the life she cared for, nor the void my whimpering solitude craved for. It is the mind which suggests, a puppet that garnishes the midnight gloom. That which pulls apart the cocoon of youthful gallop, leaves a bower empty for innate sway. A string of cotton held against the foggy morrow. A queer lady sobbing in the distance. Yet part I not, with the celestial ringing in my apple seed of existence. Live I this moment, listening to those calls of hope. Roots that entwine in morning's glory, numbs the eyes that search. The unhindered moonlight lures and testifies, my misadventure into the marsh of desire. Now I am here, amidst the chirping bulbuls and the view of the eternal Selene. About the author:
Gautham Pradeep, currently 22 yrs of age , was born in Kerala, India, in a town called Thalassery. He did his schooling in Bangalore and is now pursuing his MBBS course from Srinivas Institute of Medical Sciences and Research Center. He tries to explore the existential dilemmas of the present generation. Apart from writing poems, he indulges in butterfly breeding and painting occasionally.
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In another life,
I’d be the one the other side of the curtain. Blue scrubs, badge clipped on, Strong enough to lift someone out of pain, Instead of drowning in it myself. Maybe id be a nurse. Or a paramedic Shouting over sirens with adrenaline in my chest Or a doctor, calm and clever, The kind that makes people feel safe, The one that makes a difference Not this. Not 24 and shattered, Living like I’m 84, Every joint and nerve staging a protest i never signed up for I’d be working shifts, not managing symptoms Filling out charts, not pip forms, I’d be saving lives, not just trying to keep mine bearable. And maybe, just maybe I’d make my parents proud in the way i always imagined, Not for being strong though the pain, But for becoming someone that i always dreamed of being, For being something that mattered, Not just surviving something i never asked for. And id be proud too, Not just for coping, Not for just getting through the day, But for being someone, Doing something, making a real difference In that life id have a purpose, Not just prescriptions, And a body that carries me, Instead of one i have to carry, In another life… I would have made an amazing nurse, I would’ve changed lives, I would’ve made the difference in the world I always wanted to In another life… I would be really living, not just surviving each day. Your voice was an iced fruit apple slice to us, Shared while seated outside every summer, Though you never travelled in any season. Your laugh was a comedy catchphrase. You were the pink Marks & Spencer meringue nests, Crystal-cut glasses of cherryade, and amethyst birthstones on bracelets. You were the bag, laden with photographs, postcards, Prayers, and magazine tips for houses. The school I confided in you about, And the certificate I earned from there— You were the imagining of it framed on hospital walls. You were the marble-handled, soft-bristled hairbrush, The Revlon make-up, the hot drinks before bedtime, Silky blouses, blazers, and slippers. You were the grandma we prayed for a miracle for, As we willed you to get well. Now you are the neat, grassy path I know by heart And tread with utmost care; The earrings of your sister we must arrange to repair, The door ajar at a certain moment, The good luck wish, the tiniest horseshoe, And rosary beads we last left you with. Poem after 'John' by Maggie O'Dwyer About the author:
Kay Medway works full-time in a library. Kay writes poetry in her free time and had a poem for children in The Dirigible Balloon's Chasing Clouds anthology to raise funds for The National Literacy Trust. Content warning: reference to suicide. March 5, 2025 06:18
Nothing. No one. Or other pieces of emptiness that wander through my atrophied memory. The big white birds talk among themselves incessantly, even in the middle of the night. The sea was yesterday a blue wall, which I would not have dared to cross for anything in the world. So beautiful. The elders once came from the other side of the horizon to here, and for them it was the end of the world. Pines tortured by the wind surround me, today, it’s blowing from the East, from Central Asia like the people here. An abandoned cathedral, Greek Orthodox and all white, was empty. The path climbed steeply to the top. We passed a cemetery without a cross. A man imitated a bird there, looking perfectly ridiculous. In my dream there was a painting painted thirty-five years ago broken by a stranger. I discovered a piece of it by chance at a friend's place who was indifferent to it. This strange character can't speak English, the others are bandits. In the gallery everyone thought I was rich, it makes him think about Under the Sun of Satan when he looks at them. At night I hear the heavy footsteps of the seagulls above my head, moving and screaming even in the middle of the night. They are insomniacs, winter is coming to an end, it's the season when they talk too much. Something or someone stole two eggs, as white as both my eyes, from a nest placed on a window ledge thirty meters above the ground. So she never came back. Human beings and animals are the same, it's sad or not. It’s the beginning of the fasting for some, the awakening for others, at six o'clock sharp. Life is paradoxical, as the angel Gabriel told me once. I have nothing to say against that, I don't know, nor will I ever know. I could have or should have jumped, no one would have known anything about it. She’s totally aware that suicide is the only way out for him if things keep on going like this. Others have always been afraid of him, rightly so, and vice versa. After madness, nothing will be the same again. And yet, the blue sea was certainly not a wall for him, but an abyss, in the end. I have noticed the other side of love By the withered rose and the river at night. I collect and water them to give to the dove And raise the flag of truce with the wings of a kite. I bow down to love ignoring the proverb- ‘In war and love everything is fair’ and right And keep at the threshold the point blank arrow Hoping one of us may die without sorrow. About the author:
Partha Sarkar, a resident of Ichapur, a small town of a province West Bengal Of India, is a graduate who writes poems inspired by the late Sankar Sarkar and his friends (especially Deb kumar Khan) to protest against the social injustice and crimes against nature. His poems have been in different magazines both in Bangla and in English. Once, he would believe in revolution but now he is confused because of the obscurity of human beings, though he keeps fire in soul despite. Still, calm and noiseless
The charade bustling street is at rest Emeritus drawing from the overflow Well of Knowledge Birthing life in white and black Emptiness! A fight of vanity Isolated in the other world Waging war against inner demons Ranging from human venoms To cracking rumor Conspicuously muted Her Mouth is sealed Yet, she raced in heart As she swims across oceans of thoughts Mi Corazón esta perturbado The bang is louder Will she yield to its call? Again, this tune fascinates me Will she dance to the rhyme? It all resonates with my soul! This arrow pierces through her heart It aches like a kiss of blade Rivers ceaselessly flow through Her balls, sad but true Her guard is down Imminent pains of gains Applauds her tenacity Her breast flapped in agony Of want and needs Reality is falsified They all speak the familiar language of danger Project of death in a lovely package No more fight in paradise Paranoid by paralysis of desire Who wins, the demon or me? This shadow deep in hollow May one day hallow her hassle Shackles of lack Luck and will Trends afar her The cloud is ‘bout resting Before dawn I valiantly beat him To rust and dust Though choked but she moves! Till next episode Where the moon bows out to the sun I shall retain my strength To wind through the storm And sail across the Nile When first we open our eyes to the world,
tiny fists clutching the boundless, we are cradled as enough-- fragile, infinite, perfect in the gaze of love. No questions asked, no measure weighed; we are simply here, and that is all. But the world, sharp-edged and brimming with voices, sees not the light we carry. It begins its chiseling, its carving of worth from the outside in. “You are too dark,” it says, “too pale, too slow, too loud.” “You love the wrong way.” “You dream too big.” “You belong elsewhere, but not here.” With every glance, every word unspoken, the mirrors around us shatter. Each shard reflects another flaw we didn’t know we had. What once felt infinite now seems confined to the lines others draw around us. We shrink to fit their frames, contorting ourselves to be seen as something—anything—close to enough. And when we cannot shrink further, we fall. Fall into the silences of our own making, lost in the echoes of “not enough.” We let the weight of their judgments shape the way we see ourselves: broken, unworthy, incomplete. The soft hum of self-belief quiets beneath the roar of the world. Enough becomes a weapon. It shifts and twists in the hands of others-- “You are good enough for now,” they say, with kindness that stings. “Is this all you’ve got? Surely it’s not enough.” “You’ll never be enough.” The word folds in on itself, its edges cutting deep, turning possibility into limitation, turning wholeness into doubt. But enough is not static. It moves, it grows. It becomes a breaking point: “I have had enough!” Enough of their rules, their assumptions, their smallness that demands we make ourselves smaller. It becomes a reckoning: “I am enough for myself.” It becomes a declaration: “I have more than enough to give.” Rebuilding begins slowly, tentative as a newborn’s first breath. Piece by piece, we reclaim the shards others discarded. We stitch together the moments we thought were too small to matter-- the resilience in our tears, the kindness in our failures, the courage it takes to try again. And yet, rebuilding is not a single act. It is the slow, deliberate sifting of noise. The voices that once roared “not enough” still linger, insistent and unyielding. Their echoes creep in during quiet moments, whispering, testing, taunting. So we sit with them. We let the noise speak, not to believe it, but to understand where it came from. In the clutter of doubt, we search-- for the voice beneath the noise, the one that is our own. This is the hardest work: to unlearn the lies we were told, to untangle the barbed wires of judgment, to separate the truth of who we are from the weight of who we were told to be. But in the stillness of reflection, truth begins to emerge, a fragile whisper at first: “I am enough.” With every step forward, the whisper grows louder, until it becomes a steady song: “I am enough. Not because I am perfect, but because I am here.” And as this truth takes root, our gaze turns outward. We see the brokenness in others, the weight they carry of being told they are less. But we know now-- we know the lie, the cruel game of measuring worth. Enough is no longer a question, nor a weapon, but a promise. It holds space for our flaws, our beauty, our growth. It reminds us that in being ourselves, we are sufficient. In their eyes, we see the same glimmer, the same light that no voice can extinguish. And so we say: “You are enough, too.” Not because you’ve proven it, but because you’ve always been. Let the world try to tear us down. Let it question, measure, compare. We will answer with the quiet defiance of knowing: We are not perfect, but we are whole. Not better, not worse-- simply, wholly, enough. They told me the curse was a kindness,
a spindle’s prick to spare the kingdom from the burden of my broken mind. “Let her sleep,” they said, “Her thoughts too sharp, her tongue a thorn, her dreams too vast for walls to hold.” But I did not sleep. Not in the way they meant. In my cage of roses, I lay awake, each thorn a needle threading whispers: What if the curse was never kindness? What if the silence wasn’t mercy? What if my dreams were a forest they feared to enter? I grew wild there. The briars were mine. When the prince came, blade in hand, I laughed to see him bleed-- for once, the world bent to my thorns. He begged for a kiss to break the spell. Instead, I offered him my dreams: a tangle of shadows too sharp to untie. Let him sleep now. Let him know what it means to carry a forest inside. I was always the broken one,
a jagged shard of mirrored light. The fairest of them all-- but they never told me fairness was a curse. When they laid me in the glass coffin, the dwarves wept salt that carved rivers in their faces. They did not know the coffin was not a tomb but a lens. Through it, I saw the prince’s approach, his perfect features fractured by the warped glass. I saw the cracks in his smile, the pity behind his eyes. I saw myself as they saw me: a body polished and preserved, an object too fragile to touch but too pretty to let go. So I shattered the glass with my unkissed lips, cut my way out of their story, and left the prince bleeding on the forest floor. He called me wicked, but wicked is just what they name us when we break the molds they cast us in. I wandered until I found a mirror that didn’t lie. And in its broken face, I saw my own reflection-- whole at last. No matter how we pray or sorrow, no matter how we festoon bells and lights, no matter how we wrap and sing and bake and make lists of the futures we want, this winter might be masked and frazzled. Invoke a solstice astral alignment. Bargain with politics and viruses cajole the antique angel doorknob-dreaming. Light a flameless candle in the back window. Have cinnamon and old movies on hand. Find one craftstore present significant because it makes you laugh-- a little stuffed lion with glittery fur and a unicorn horn; improbable connundrum of strength and myth. Mail the tailed talisman on its perilous journey cross-country to a land of tumbleweeds and dewless skies. Your friend will shake his head questioning long-distance intentions. But some nights, we each need to believe. Dancing toys, talking animals, taps on the midnight roof. Telescopes or televisions trained. Everyone is looking for their cure. About the author:
Blind American author Nancy Scott's over 975 essays and poems have appeared in magazines, literary journals, anthologies, newspapers, and as audio commentaries. Her latest chapbook appears on Amazon, The Almost Abecedarian. She won First Prize in the 2009 International Onkyo Braille Essay Contest. Recent work appears in *82 Review, Black Fox Literary Magazine, Braille Forum, Chrysanthemum, Kaleidoscope, One Sentence Poems, Pulse Voices, Shark Reef, Wordgathering, and The Mighty, which regularly publishes to Yahoo News. |
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