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The Voice from the Garden by Edward Cates and Anna Cates

29/2/2024

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A large tree in the middle of green woodland. Large white text reads: The Voice from the Garden. Smaller text reads: Discussing disabled characters in fairy tales and folklore.
A large tree in the middle of green woodland. Large white text reads: The Voice from the Garden. Smaller text reads: Discussing disabled characters in fairy tales and folklore.
oddly deformed
into heart-shaped
suitor’s rose bud
 
As I wandered the windswept hills 
I chanced upon a timeworn redoubt 
Cloaked in a brooding bramble veil 
Clutching its secrets tightly within 
From behind whose dour shoulders 
Emanated a soft, mellifluous voice 
Like the expectancy of springtime 
But the walls were tall and barbed 
Engrailed with the cruelest thorns 
But the Orphean tones of the voice 
Compelled my captivated thoughts 
To see who was ensconced therein 
So, I fought past the wicked thorns 
And scaled the treacherous height 
And when I reached the top at last 
I gazed down into a secret garden 
Where you waited amid the flowers 
Smiling as if you had expected me
 
atop the rock wall
dripping with bog water
the Frog Prince

NOTE: Unitalicised text is the work of Edward Cates. Italicised text is the work of Anna Cates. 

About the authors:
The late Edward Dana Cates (2/23/69-11/12/23) was a disabled househusband and writer/poet from Seymour, Indiana.  He attended George Fox University and served on Deviant Art’s literature committee, where he acquired many mutual fans and friends.  The original versions of his poems are fully illustrated a viewable at his online gallery:  https://www.deviantart.com/barosus/gallery.

Dr. Anna Cates teaches writing, literature, and education online and has published a variety of books (poetry, fiction, and drama) through www.cyberwit.net, prolificpress.com, redmoonpress.com, and wipfandstock.com.  Her full-length poetry collection, Love in the Time of Covid, won an Illumination Book Award.  She resides in Wilmington, Ohio with her two cats.
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Samhain (End of Summer) by Nicola Curtin

15/2/2024

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A large tree in the middle of green woodland. Large white text reads: Samhain (End of Summer). Smaller text reads: Discussing disabled characters in fairy tales and folklore.
A large tree in the middle of green woodland. Large white text reads: Samhain (End of Summer). Smaller text reads: Discussing disabled characters in fairy tales and folklore.
(For when the leaves our summer friends have fallen)

newborn
faces up
outdoors
beneath the trees
skysent resonance
swishes
limbs respond
by raising knees

Skysent old images haunt me
summer is no more
angels, fairies sent to soothe me
lie dead upon earths floor

more falling ever daily
the ground is gold and red
brown dead veins are crisping
revealing that they’re dead

Lucifers angels fallen
tuatha de danann’s on the mound
A jealous god deceived them
my god he can’t be sound

then some who turned mid fall
looked skyward bleak and bare
there was no pull cept downward
no hope and just despair

but then the Cailleach fetched them
she winters underground
They nurture TREE forever
now truth it knows no bounds
the leaves they tell their stories,
to
worms, roots, and a breeze
their mission is to nourish
new growth for humans ease,
and yet how could they do it
if they did not know of grief
when every angel blossoms
when under some-borns sleep

Their purpose is for spelling
those born with life for hope
angels always round us
so that we always cope
im grateful for the memory
from the ground those faithful days

I no longer believe in fairys
or hawthorns special ways
but I’m grateful for the magic
of natures tale spun faes

Faes=phase
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Brother’s Keeper by Uzomah Ugwu

8/2/2024

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Picture
A large tree in the middle of green woodland. Large white text reads: Brother's Keeper. Smaller text reads: Discussing disabled characters in fairy tales and folklore.
He broke dawn with every utter of the pain
He sought to bring me and gave to me
 
 When He said no one wanted a broken wheel which I was
And he could not help me any more or had, or did he ever
 
Years passed more likely a decade when he said he
Had sympathy for me it was like he was making a deal with the devil
To stretch out a comment that concluded this was an illness
Not some made up myth, and it did not define me but it was a part of me
 
He furthered the conversation
with his conforming model of a response that
Should have been a sign, a warning
 That he  now  was the  poster child for the stigma
 
I would face again once I braved my face
with this condition out in the open once released
or maybe now I was just now noticing him
So I ran back into lockable closets in tainted rooms because if my brother
Would not have me, how would society
 
but I am my brother’s keeper still
Then I heard a dial tone yet
I  do not remember him answering
I do not recall him being present in my life
 Like he confessed
 
But a message was left, and it stated I have no answer
this life I have left meant for living was 
not for getting caught in telephone
Chords in mental wards calling
brothers who were emotionally gone
And  who were far from the wheels of my bike broken or not

About the author: 
Uzomah Ugwu is a poet/writer, curator,  editor, and multi-disciplined artist. Her poetry, writing, and art have been featured internationally in various publications, galleries, art spaces, and museums. She is a political, social, and cultural activist. Her core focus is on human rights, mental health, animal rights, and the rights of LGBTQIA persons. She is also the managing editor and founder of Arte Realizzata.
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When the clock stops ticking by Gautham Pradeep

1/2/2024

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A large tree in the middle of green woodland. Large white text reads: When the Clock Stops Ticking. Smaller text reads: Discussing disabled characters in fairy tales and folklore.
A large tree in the middle of green woodland. Large white text reads: When the Clock Stops Ticking. Smaller text reads: Discussing disabled characters in fairy tales and folklore.
Oldest memories and their origins,
the highs that once roamed my dreams.
Forever stuck in the photo frames,
it is harder to smile now.
 
Having held onto a long-lost self,
he does not seem to let go.
Lullabies play in the background,
while I lay dozing in his blood drenched arms.
Dreams fill the red canvas,
the noose inches closer to the grey clouds.
Long distances and the ticking of the clock,
the clockwork has wound once more.
 
My sleepless nights and my snoring cat,
holds me in their blanket of comfort.
Nelly stares at the crippling world around him,
or so it seems to me.
His thoughts and his desperation,
just follies in my imagination.
 
Always delving into the painted dreams,
the sky have lost its warmth.
Stuck in the cold,

I wait for the warmth to return.

About the author:
Gautham Pradeep, currently 22 yrs of age, was born in Kerala, India, in a town called Thalassery. He did his schooling in Bangalore and is now pursuing his MBBS course from Srinivas Institute of Medical Sciences and Research Center. He tries to explore the existential dilemmas of the present generation. Apart from writing poems, he indulges in butterfly breeding and painting occasionally. 
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