The clamouring of rooks among the trees reminds me of the sirens on the shore, whose raucous songs were blatant augury, of omens too pernicious to ignore. The scream of sirens on the motorway remind me of the sirens on the shore: a devastating ending to the day. Those birds will seek the car-crash carrion. The scream of sirens on the motorway – a call as bright and clear as clarion – inviting us to seek our own demise. Those birds will seek the car-crash carrion: like Erysichthon, nothing satisfies the calling void. Obsession quantified, inviting us to seek our own demise. The war inside my head is amplified; the clamouring of rooks among the trees. The calling void, obsession quantified, whose raucous songs are blatant augury. Originally published in Fragmented Voices in 2021.
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Of course, we knew that they existed – in picture books and fairy tales – but when we finally dredged one up from the depths we were more than a little surprised. She was nothing like we imagined: no flowing golden hair and sun-kissed skin. No silvery voice or wide submissive eyes. No pert little breasts modestly shielded from sight behind a seashell bra. No, she was nothing like we imagined: All iridescent scales crusted with barnacles; matted seaweed-frond hair and a voice like a hurricane. Gills and teeth and spines; more monster than maiden. She was fascinating – but she would never make the cover of a magazine. Still, we lapped up every TV interview, documentary and podcast, every forward-thinking think-piece, and long-form feminist essay. And, when one Saturday morning TV presenter broached the question of her appearance, we held our breath… She said: My body carries me across oceans and through storms. My body can withstand the pressure of five thousand fathoms of seawater and swim for six miles without rest. My body has borne me children and survived the sharks and sea monsters of this world. My body is my instrument; my body is my weapon. My body is exactly what I need it to be. It may not be perfect but I am not afraid of it, because my body is beautiful.” Soon, models were walking the runways wearing artificial gills, and young men and women were saving up to have scales surgically implanted under their skin. Green hair dye sold out in shops and swimming pool salesman struggled to meet the demand. People prayed for gills and teeth and spines. The mermaid – realising that humanity had almost entirely missed the point – returned to the sea. Originally published in Leanne Moden's collection Get Over Yourself (Burning Eye Books: 2020).
The bright colours of a seaside variety dotted on beach huts stretch out behind me. The smattering of rain strives to deter their charm and attraction. Today, thoughts cry. The sand dilutes. With stress, fragments and words from my pen fray. The pavement weeps, and it distracts my eyes. Shoulders knot. The sun collides. The sea falls short. Tomorrow, attentiveness will win. A visit here will champion. Clothes will lead. Colours share. Stages glow. The wind will rejoice. The song will saunter. Loneliness will dwindle. About the author:
Kay Medway works full-time in a library. Kay writes poetry in her free time and had a poem for children in The Dirigible Balloon's Chasing Clouds anthology to raise funds for The National Literacy Trust. |
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