​Still, calm and noiseless
The charade bustling street is at rest
Emeritus drawing from the overflow
Well of Knowledge
Birthing life in white and black
 
Emptiness! A fight of vanity
Isolated in the other world
Waging war against inner demons
Ranging from human venoms
To cracking rumor
 
 Conspicuously muted
Her Mouth is sealed
Yet, she raced in heart
As she swims across oceans of thoughts
Mi Corazón esta perturbado
 
The bang is louder
Will she yield to its call?
Again, this tune fascinates me
Will she dance to the rhyme?
It all resonates with my soul!
 
This arrow pierces through her heart
It aches like a kiss of blade
Rivers ceaselessly flow through
Her balls, sad but true
Her guard is down
 
Imminent pains of gains
Applauds her tenacity
Her breast flapped in agony
Of want and needs
Reality is falsified
 
They all speak the familiar language of danger
Project of death in a lovely package
No more fight in paradise
Paranoid by paralysis of desire
Who wins, the demon or me?
 
This shadow deep in hollow
May one day hallow her hassle
Shackles of lack
Luck and will
Trends afar her
 
The cloud is ‘bout resting
Before dawn
I valiantly beat him
To rust and dust
Though choked but she moves!
 
Till next episode
Where the moon bows out to the sun
I shall retain my strength
To wind through the storm
And sail across the Nile

When first we open our eyes to the world,
tiny fists clutching the boundless,
we are cradled as enough--
fragile, infinite, perfect in the gaze of love.
No questions asked, no measure weighed;
we are simply here, and that is all.
 
But the world, sharp-edged and brimming with voices,
sees not the light we carry.
It begins its chiseling,
its carving of worth from the outside in.
“You are too dark,” it says,
“too pale, too slow, too loud.”
“You love the wrong way.”
“You dream too big.”
“You belong elsewhere, but not here.”
 
With every glance, every word unspoken,
the mirrors around us shatter.
Each shard reflects another flaw
we didn’t know we had.
What once felt infinite
now seems confined to the lines
others draw around us.
We shrink to fit their frames,
contorting ourselves to be seen
as something—anything—close to enough.
 
And when we cannot shrink further,
we fall.
Fall into the silences of our own making,
lost in the echoes of “not enough.”
We let the weight of their judgments
shape the way we see ourselves:
broken, unworthy, incomplete.
The soft hum of self-belief quiets
beneath the roar of the world.
 
Enough becomes a weapon.
It shifts and twists in the hands of others--
“You are good enough for now,”
they say, with kindness that stings.
“Is this all you’ve got? Surely it’s not enough.”
“You’ll never be enough.”
The word folds in on itself,
its edges cutting deep,
turning possibility into limitation,
turning wholeness into doubt.
 
But enough is not static.
It moves, it grows.
It becomes a breaking point:
“I have had enough!”
Enough of their rules,
their assumptions,
their smallness that demands
we make ourselves smaller.
 
It becomes a reckoning:
“I am enough for myself.”
It becomes a declaration:
“I have more than enough to give.”
 
Rebuilding begins slowly,
tentative as a newborn’s first breath.
Piece by piece,
we reclaim the shards others discarded.
We stitch together the moments we thought
were too small to matter--
the resilience in our tears,
the kindness in our failures,
the courage it takes to try again.
 
And yet, rebuilding is not a single act.
It is the slow, deliberate sifting of noise.
The voices that once roared “not enough”
still linger, insistent and unyielding.
Their echoes creep in during quiet moments,
whispering, testing, taunting.
So we sit with them.
We let the noise speak,
not to believe it,
but to understand where it came from.
In the clutter of doubt, we search--
for the voice beneath the noise,
the one that is our own.
 
This is the hardest work:
to unlearn the lies we were told,
to untangle the barbed wires of judgment,
to separate the truth of who we are
from the weight of who we were told to be.
But in the stillness of reflection,
truth begins to emerge,
a fragile whisper at first:
“I am enough.”
 
With every step forward,
the whisper grows louder,
until it becomes a steady song:
“I am enough.
Not because I am perfect,
but because I am here.”
 
And as this truth takes root,
our gaze turns outward.
We see the brokenness in others,
the weight they carry
of being told they are less.
But we know now--
we know the lie,
the cruel game of measuring worth.
 
Enough is no longer a question,
nor a weapon,
but a promise.
It holds space for our flaws,
our beauty, our growth.
It reminds us that in being ourselves,
we are sufficient.
 
In their eyes, we see the same glimmer,
the same light that no voice can extinguish.
And so we say:
“You are enough, too.”
Not because you’ve proven it,
but because you’ve always been.
 
Let the world try to tear us down.
Let it question, measure, compare.
We will answer with the quiet defiance of knowing:
We are not perfect,
but we are whole.
Not better, not worse--
simply, wholly,
enough.

They told me the curse was a kindness,
a spindle’s prick to spare the kingdom
from the burden of my broken mind.
“Let her sleep,” they said,
“Her thoughts too sharp, her tongue a thorn,
her dreams too vast for walls to hold.”
But I did not sleep.
Not in the way they meant.
In my cage of roses, I lay awake,
each thorn a needle threading whispers:
What if the curse was never kindness?
What if the silence wasn’t mercy?
What if my dreams were a forest
they feared to enter?
I grew wild there.
The briars were mine.
When the prince came, blade in hand,
I laughed to see him bleed--
for once, the world bent to my thorns.
He begged for a kiss to break the spell.
Instead, I offered him my dreams:
a tangle of shadows too sharp to untie.
Let him sleep now.
Let him know what it means
to carry a forest inside.

I was always the broken one,
a jagged shard of mirrored light.
The fairest of them all--
but they never told me
fairness was a curse.
When they laid me in the glass coffin,
the dwarves wept salt that carved
rivers in their faces.
They did not know
the coffin was not a tomb
but a lens.
Through it, I saw the prince’s approach,
his perfect features fractured
by the warped glass.
I saw the cracks in his smile,
the pity behind his eyes.
I saw myself as they saw me:
a body polished and preserved,
an object too fragile to touch
but too pretty to let go.
So I shattered the glass
with my unkissed lips,
cut my way out of their story,
and left the prince bleeding on the forest floor.
He called me wicked,
but wicked is just what they name us
when we break the molds
they cast us in.
I wandered until I found a mirror
that didn’t lie.
And in its broken face,
I saw my own reflection--
whole at last.

I chopped off my hair after the last prince. He only wanted what all princes want. The good talk ended right after his climb. I pushed him out the window while he gazed at what he could no longer reach. He only broke a few bones. Healing imperfection will humble him. I’ll weave a blonde rope and climb down.

Would you measure a warrior’s worth
by the rewards they’d earned
or the trophies they’d spurned,
by the number they’d slain
or the many they’d spared;
praps you’re persuaded by the songs
of their kin who survived them.
Or you’d celebrate their renown
and vaunted prowess in battle
when it is really those without
such advantage who show more
courage in not fleeing the field
when outmatched by every other foe.
See – it is those of whom you’ve not heard
that might more truly deserve
your prayerful thoughts and earnest hymns
your hushed tales, be they ever
so tall, by the warming hearth
of our time-wearied feasting hall.
Would you have me tell you their names
though your lips are unworthy
to speak them, your ears deaf
and your mind too dull to grasp
what it genuinely is
to have known Thorin Oakenshield,
last of his ancient and noble line.

Pinocchio was born into poverty in desperately bleak times,
he was the eldest of ten children, half human, half scavenger,
always battling illness and hunger, barely living, just surviving,
on a long narrow street which didn’t allow natural sunlight.
 
Pinocchio was forever dreaming about being made of pine wood,
so he wouldn't have to be hungry and thirsty all the time.
His angry ugly rumbling tummy gurgled and guzzled and gobbled
him up, all up. He longed for a blue magical fairy to save him.
 
Instead, he was sent far, far away, to ease the burden on his parents, 
to live in a village with his mother’s family. All he ever wanted
was to see his mother again, to feel at home again, to be healthy,
happy and not have to suffer so many ordeals, over and over again. 
 
Pinocchio’s journey was full of terrible trauma, so much tragedy,
so much sadness, even the fabulous adventures made him sick.
The world was so beautiful but also so dreadfully ugly, it made him wish
all the more to be a wooden pine puppet living in a better world.
 
In his dreams he saw the magical Blue Fairy, who gently whispered:
Prove yourself brave, truthful and unselfish,
and someday you will be a true real puppet.
A boy who won't be good might will never be made of wood.
 
Pinocchio tried and strived to be brave, truthful and unselfish,
he tried not to wish for the moon, the oceans and the stars.
He gave so much to everyone, helped and helped till he couldn’t give
any more. Exhausted he slumped down, despondent and scared.
 
He felt sick down to his stomach at this terrible world, only in his
magical dreams of fairies did he see a way through, Oh, Fairy, Fairy!
Why am I still not made of pine wood? I’ve been brave, truthful and unselfish.
And Blue Fairy smiled so warmly and whispered, You already are.
 
And Pinocchio wept and wept with traumatised joy, sadly unaware that
whilst he was away, his family suffered tragedy as six of his siblings died.
Pinocchio was the lucky one to escape, to be free, but he never saw
his mother again, never spent one perfect day together, never was home.

About the author:
Peter Devonald is a UK based poet/screenwriter who has lived with disability most of his life. He is winner Waltham Forest Poetry 2022, Heart Of Heatons Poetry Awards 2023 & 2021, joint winner FofHCS 2023 and second in Shelley Memorial Poetry 2024. Finalist in Tickled Pink ekphrastic contest 2024, highly commended Hippocrates Prize and Passionfruit Review 2024, shortlisted for OxCanalFest Poetry 2024, Saveas & Allingham 2023. Poet in residence Haus-a-rest, Forward Prize nominated, two Best Of The Net nominations and widely published including Broken Spine Anthology, London Grip, Door Is A Jar, Bluebird Word, Vipers Tongue, Voidspace and Loft Books. 50+ film awards, former senior judge/ mentor Peter Ustinov Awards (iemmys) and Children’s Bafta nominated.
www.scriptfirst.com
Instagram: @peterdevonald
Facebook: @pdevonald
Twitter/X: petedevonald

A little child locked in the airing cupboard,
spiralling music plays to evoke the magical,
but all the little child feels is trapped.
 
Outside the older sister laughs to see such fun,
playing at her own little fabulous fairy tale,
lost in her bewildering imagination, never stops
to wonder at the damage done.
 
Fifty years on the child still hates confined spaces,
the fabulous music still the soundtrack to his dreams,
persecuting and prodding with a witches spell.
 
He lived in fairy tales all his life, wrote himself better,
but always witches watched, whispered and cackled.
 
He wondered why his sister ate the poisoned apple,
slept for a thousand years, supressing the past.

About the author:
Peter Devonald is a UK based poet/screenwriter who has lived with disability most of his life. He is winner Waltham Forest Poetry 2022, Heart Of Heatons Poetry Awards 2023 & 2021, joint winner FofHCS 2023 and second in Shelley Memorial Poetry 2024. Finalist in Tickled Pink ekphrastic contest 2024, highly commended Hippocrates Prize and Passionfruit Review 2024, shortlisted for OxCanalFest Poetry 2024, Saveas & Allingham 2023. Poet in residence Haus-a-rest, Forward Prize nominated, two Best Of The Net nominations and widely published including Broken Spine Anthology, London Grip, Door Is A Jar, Bluebird Word, Vipers Tongue, Voidspace and Loft Books. 50+ film awards, former senior judge/ mentor Peter Ustinov Awards (iemmys) and Children’s Bafta nominated.

www.scriptfirst.com
Instagram: @peterdevonald
Facebook: @pdevonald
Twitter/X: petedevonald

Ella Enchanted couldn't get the Glass Slipper on,
let alone imagine dancing the night away until midnight;
swollen feet and broken dreams, she stayed indoors and slept
her life away. Her Fairy Godmother gave her beautiful dreams,
of coaches made of pumpkins, horses that once were mice,
footmen who were all lizards and a coachman who remains a rat.
Her dirty rags transformed magically into a beautiful dress,
an amazing hallucination dream, where everything is possible.
Night terrors they call it, night sweats, another symptom in a land
where illness is queen, but what of her handsome king, waiting?
Another day another symptom, spinning webs of falling dreams
from worn down spindles, so much pain to be a sleeping beauty,
horrible power of invisible diseases, creeping, crawling, crying,
wishing on a purple star, one day she’ll find her happily ever now.

About the author:
Peter Devonald is a UK based poet/screenwriter who has lived with disability most of his life. He is winner Waltham Forest Poetry 2022, Heart Of Heatons Poetry Awards 2023 & 2021, joint winner FofHCS 2023 and second in Shelley Memorial Poetry 2024. Finalist in Tickled Pink ekphrastic contest 2024, highly commended Hippocrates Prize and Passionfruit Review 2024, shortlisted for OxCanalFest Poetry 2024, Saveas & Allingham 2023. Poet in residence Haus-a-rest, Forward Prize nominated, two Best Of The Net nominations and widely published including Broken Spine Anthology, London Grip, Door Is A Jar, Bluebird Word, Vipers Tongue, Voidspace and Loft Books. 50+ film awards, former senior judge/ mentor Peter Ustinov Awards (iemmys) and Children’s Bafta nominated.

www.scriptfirst.com
Instagram: @peterdevonald
Facebook: @pdevonald
Twitter/X: petedevonald