Like birdseed, a sequinned gown, They would glitter them into the crowd each year around Christmas time. It was your smear- fingered -smile Little treat. We curled our tiny bodies into the ruby- lip slippered red of those opulent seats, sat tight as a bow. We savoured the buttons up… Hush, now let us begin. Slam Searing Black. That gunshot spike crack was the very worst sound of my life. I wanted to shred shed wolf peel at my skin. Wings battling uselessly into the wax of lights. You're a hunted animal. Fresh. screams, fever, green gaping horror-mouthed memories bashing again and again and again and again at the walls. Trapdoor. Claw. After a while, you know the hot scent of desperation. It's the ugly, stubborn snarl of curled fag smoke. If you want a light, you always, always, always have to ask them, even though you can hear them: their crabapple laughs crackle, vines choke at your ankles along the whole sterile length of the aisle. Snare, trap, flare. You're cored. You can no longer bear the sight of them. You shrivel in the corner and lick at your wounds. Fawn and Freeze. Retreat, curl up and Dry. Eventually, you don't even recognise your own white face. You are definitely not today The fairest, fairest… Each nightfall, animated eyes blare in this hunter's wood. They watch, watch, watch Watch. Your hair witches with time. You hold out your finger not for a ring, but for yet another bite of heat and blood; Your body spread out on a slab. Be good or they won't let you out… Gasp down til you bloat leak and weep like a frog. It's not real, it's not real. It's not real… Now you're encased into tall ivied walls. What you know is that they long to return the lush butchered prize of your heart. who even is the villain Anymore? One night, someone pads. tears at the plastic with fangs- and there's that familiar sweet purple glint once more. It's winking at you: royal like a cloak. About the author:
I'm an autistic social researcher based in Cardiff with a passion for heritage and museums. I also live with chronic eczema. I use poetry to engage people with research, and I am inspired by connections between artists and their work as well as interpreting well-known histories and stories from fresh perspectives, or uncovering under-appreciated historic figures and the tales they can tell.
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